** This Article has been published on Passionforcinema.com and can also be read here **
My tryst with ghost stories started with the usual bedtime reads. With time, I graduated to movies and the horror genre became a favorite. Evil dead, Rosemary’s baby, the shining were a part of growing up. But off late, apart from a few Asian movies here and there, the genre has been churning out disappointing movies to say the least. So, I was surprised, shocked (pun very much intended) and genuinely impressed when I stumbled upon the brilliance of ‘The Orphanage’.
*Post may contain spoilers, will try to avoid them though *
Premiered in 2007 in Cannes, which is generally not so kind on genre movies, particularly horror, The Orphanage received a standing ovation of ten minutes from its audience.

The movie captures your attention from the very first frame, where we are introduced to the orphanage, which is no less than a character in the movie. Laura (portrayed brilliantly by Belen Reuda) returns to the orphanage where she had grown up before being adopted, with her doctor husband and son, Simon (Roger Princep oozing innocence, and giving one kickass of a performance for a child artist!!).
Soon Simon starts seeing invisible friends, much to the obvious disapproval and disbelief of his parents. The story moves forward at a rapid pace and we come to know that Simon is a HIV + child and has been adopted by the couple. The games Simon plays with his (invisible) friends and with Laura, keep the audience enchanted and before we know, the director takes us into a dizzying spiral of events, happening one after another, which culminate in Simon’s disappearance.
Simon disappears the day Laura tries opening the orphanage officially to other children, and Laura comes face to face for the first time with Simon’s invisible friend ‘Tomas’.
From, there on the movie shows Laura’s struggle with the acceptance of the fact that her son is no longer alive, her trysts with ghost hunters and the pain she goes through due to her loss. Skeletons keep tumbling out of the orphanage, and gory, spines chilling past secrets are revealed. The climax is open ended and brilliantly done, blurring the lines between fantasy and reality.
Any more discussion of the movie would have to contain spoilers, and I do not want to take away the pleasure from you guys, hence please do watch the movie, they will be the best 2 hrs you spent in a long long time.
Yearning for more after watching the orphanage, I zeroed in on The Innocents (1961) which explores similar themes and has as massive an effect as the orphanage. What is great about the movie is that it’s around 50 years old and is still decades ahead of the horror movies being created round the world.

The movie creeps up the spines of the audience from the very first frame while the opening credits are rolling, with a child humming ‘We lay my love and I, beneath the weeping willow.’ in the background.
Miss Giddens played by Deborah Kerr wonderfully, decides to take up the job of a Governess at a gothic old country mansion, Bly house where she has to take care of two young children.
Like the Orphanage and so many other successful horror movies, the house itself horrifies, enchants and captivates at the same time. The mood sets in, and Miss Giddens starts seeing apparitions.
The children here play their role amazingly. Watch out for young miles when he recites “What shall I sing to my lord from my window? What shall I sing for my lord will not stay? What shall I sing for my lord will not listen? Where shall I go when my lord is away? Whom shall I love when the moon is arisen? Gone is my lord and the grave is his prison. What shall I say when my lord comes a calling? What shall I say when he knocks on my door? What shall I say when his feet enter softly? Leaving the marks of his grave on my floor. Enter my lord. Come from your prison. Come from your grave, for the moon is a risen. Welcome, my lord.” A gut wrenching scene indeed!!
They are playful, inseparable and seem to be innocent and sinister at the same time. The mind games start a-la the orphanage and past secrets start tumbling out. The governess finds that her predecessor had an affair with the valet, an aggressive and intense man, and both had met their untimely death. From there on the cat and mouse games begin, between the children, the apparitions and Miss Giddens which spiral at break neck speed and finally it culminates in one of the most open ended and brilliant climaxes ever, in this genre.
There are many things common to both the movies, their setting is similar, they explore similar themes, the acting is brilliant by the cast and although the story seems to be simple and stale, it’s the treatment which elevates the movies to the heights of cinematic brilliance.
The basic thing both these movies do is to question, they question whether we believe in ghosts or not. They question whether what is being shown in real or not. This is where the triumph of the directors lies; they succeed in such open ended interpretations which spawn multiple versions of actual happenings.
Ghosts stories generally get reduced to cheap shock based gimmicks, but both these titles work brilliantly because they work at a very deeper level and question our believes and faith.
Both are “must watch” movies, (particularly for a certain Mr. Ram Gopal Verma who ‘thinks’ he churns out psychological horror movies) and rest assured you will want to get hold of someone, make him watch the movies and discuss them!!
